Paul Anderson, George Orwell Studies, vol 2 no 1, 2017
George Orwell at work in the 1940s
No political writer of the 20th century has been subject to more analysis, controversy and speculation than George Orwell – and for good reason.
Many see Orwell as the greatest political writer in the English language of the past 200 years, a consummate stylist, always direct and provocative, and many of his big concerns have continuing resonance even though he died nearly 70 years ago.
He wrote a lot, and in a multitude of genres: fiction, criticism, reportage, poetry, polemical essays and columns. His conception of what is political was breathtakingly broad, he changed his mind over time (and in public), and there are innumerable tensions and contradictions in his life and work. Since his death in 1950, partisans of every political tendency, apart from fascists and Stalinist communists, have tried to claim Orwell as one of their own.
John Major’s governments of 1990-97 are not often discussed in terms of their impact on Labour – except insofar as Major’s travails with his party from summer 1992, particularly over Europe, provided the backdrop against which first John Smith and then Tony Blair built commanding opinion-poll leads for Labour, culminating in Blair’s general election victory of May 1997.
By the end of the 1990s, to most observers of the British left, the Leninist era seemed to have come to an end. The Socialist Workers Party, quasi-Trotskyist and owner of a competent offset press in east London, still had some life about it, but not a lot.
Paul Anderson, from Richard Keeble (ed), George Orwell Now! (Peter Lang, 2015)